Chapter 1 Ezra Pound and Skopos Theory
1.1 Ezra Pound：Life and Works
1.2 Skopos Theory
Chapter 2 Skopos of Imagism
2.1 Luminous Detail——Emotional Equation
2.1.1 Detail——Concrete Imagery
2.1.2 Luminous——Emotional Force
2.2 Permanent Metaphor
2.2.1 Union of Subject and Object
2.2.2 Interpretation of Taciturn Emotion
2.3 Ideogrammic Method——Sculptural Beauty in Language
2.3.1 Origin of Ideogrammic Poetry
2.3.2 Ideogram as Reflection of Nature
2.3.3 Ideogram in Pictorial Etymology
2.3.4 Etymological Translation
2.4 Absolute Rhythm——Musical Aesthetics in Poetry
2.4.1 Preservation of Music——Sequence of Musical Phrase
2.4.2 Musical Accordance with Emotional Force
Chapter 3 Skopos of Modernist Poetry
3.1 Modernism and Modernist Poetry
3.2 Decentralization of Ego
3.2.1 Depersonalization of Objective Reality——Concreteness
3.2.2 Depsychologization of Objective Reality——Restraint
3.2.3 Defiance of Authorial Presence
3.3 Self-consciousness of Poet
3.3.1 Abandonment of Religion
3.3.2 Abandonment of Reason——Germinal Consciousness
3.4 Free Verse
3.4.1 Colloquial Language
3.4.2 Simplicity and Austerity of Language
3.4.3 Influence of Free Verse
Chapter 4 Skopos of History Rejuvenation
4.1 Skopos of Restoration of Order
4.1.1 Social Chaos as Background o{ Pound''s Translations
4.1.2 Restoration of Order against Chaos
4.2 Skopos of History Preservation
4.2.1 Selection of Translation Works
4.2.2 Time Perspective of Universality
4.3 Skopos of "Make It New"
4.3.1 "Make It New" against Poetic Stagnation
4.3.2 "Make It New" in Poetic Experiment
Bibliography
Appendix Cathay
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